Jansky Noise - Past Present & Future Star Music

Marie Laveau, trumpet whispers, New Orleans shadows dance, Papa Celestin’s notes prance, Gravitas voice, a secret trance. Syncopated rhythms, piano riff storm, Jazz heartbeats, legends reborn. Brass section dialogue, Eerie, lively, a mystic manologue. Nostalgia wrapped in wax, Voodoo Queen, history tracks. Deep vocals, haunted flair, New Orleans whispers floating here. Artifact of sound, myth in the air, Haunting beauty, Celestin’s fair. A cultural relic, jazz and lore, Laveau’s spirit, forever at core.

Dhafer Youssef's 'Soupir Eternel' is a captivating piece that showcases his masterful blend of jazz and traditional Tunisian music. The song opens with a hauntingly beautiful oud melody, which sets a contemplative tone. Y oussef’s vocals, blow me away, they are so rich and striking, and in my ear they weave through like a breeze, gliding along ethereal vibes. The interplay between the oud and the accompanying instruments, including the piano and subtle percussive elements, adds depth and texture to the composition. 'Soupir Eternel' is a profound musical journey, reflecting Youssef's ability to transcend cultural boundaries and evoke deep emotional resonance through his music."

In the cradle of twilight's embrace, Where shadows whisper and soft breezes trace, Lies a word, a murmur, a spell so divine, Ñaumu, it sings, in the hush of the pine. A syllable spun from the threads of the moon, Carried aloft on the wings of a tune, Ñaumu, it drifts through the corridors of night, A flicker of magic in the star's gentle light. In the depth of the forest where secrets are kept, Under the canopy where ancient dreams slept, Ñaumu is spoken by leaves in their dance, A chant that enchants, in its silent expanse. Echoing in the hollows of old, hollow trees, Mingled with the murmur of the midnight breeze, Ñaumu, a whisper, as old as the earth, A mystical bond, giving mysteries birth. So listen close when the night sky is clear, Beyond the echoes that you might normally hear, For Ñaumu breathes life into the soul of the world, In the quiet heart where wonders are unfurled.

Beneath the veil of the commonplace, something stirs—sublime, nearly surreal. Here, within the resonant echoes of a voice, lies a marvel, a closeness that pierces the veil of the ordinary, echoing the sentiments of unheard whispers of old. I find myself held captive, poised on the brink of the profound, suspended in a moment brimming with anticipation. I am but a watcher at the threshold, breath bated, standing on the cusp of an auditory revelation. Watch this space, for it is not just an expanse, but a birthing ground of wonders yet to sing their full glory. The true Lady Blacknight is poised, her wings unfurled against the backdrop of a world unaware. A tempest cloaked in tranquility, ready to soar through the tempest of obscurity and into the luminescence of recognition. Hold fast, for her ascent heralds a storm, a beautiful maelstrom set to sweep across the cosmos.

During Covid 19, there is so much news, and so much going on, so much so, that I actually missed this sad news about Bill Withers.  The family statement read: “We are devastated by the loss of our beloved, devoted husband and father. "There is no more appropriate time to reflect on his words than now as we lean on each other." Nile Rodgers, from the disco band Chic, wrote: " #RIPBillWithers  Class, class and more class." Lenny Kravtiz said: " Rest in power  Bill Withers . Your voice, songs, and total expression gave us love, hope, and strength.  Bill lives on with us all especially now, as we do need to call on each other, during these unprecidented times. This one if for you Bill, your soul lives with us forever and a day! 

  The Sound of Belgium (Director's cut) from Jozef Devillé on Vimeo . This music set the wave placing Europe on the map and triggering an avalanche of from the UK after. http://www.tsob.be/

From time to time you hear something that is like nothing else. Sadly, this happens to me very few times, as I believe I have had the joy of being exposed to much and many audio delights. This record re-released by Svitlana Nianio & Oleksandr was one of them. On first listen I took a wild stab in the dark sayint it could be Nico. I was a long way off, I knew it, but I couldnt pin anything on this music. Quite extraordinary a real gem. Enjoy!

  Andrew Weatherall, the legendary DJ and record producer, left an indelible mark on the music world. His groundbreaking work on Primal Scream's 1991 album Screamadelica earned it the inaugural Mercury Prize.  It is a great shame to hear of his passing this week, as he was quite a producer and DJ. From his early days as an acid house DJ in the late '80s to his celebrated remixes for Happy Mondays, New Order, and Primal Scream, Weatherall's musical journey was nothing short of extraordinary. Screamadelica's revolutionary mix of indie, hard rock, house, and rave remains his most memorable achievement for many, but I personally loved the Sabers in Paradise, but what ever your tipple is the man had a skill for captivating a mainstream audience and winning critical acclaim.  Beyond that, Weatherall ventured into collaborative projects like Blood Sugar, Two Lone Swordsmen, and the Asphodells. In recent years, he graced us with solo albums like Convenanza, Consolamentum, and Q...

Search Results for Micheal  Kiwanuka and Jansky Noise  It has to be said, that you would never throw these two musicians together, but the law of averages and the laws of or rules of life can sometimes be a  disappointment or of benifit.  When an object does not appear to behave consistently, it may roll off in any direction, bound, lay or just lag at various, any or no distances. Certainly today there is no better way to position Jansky Noise and Micheal Kiwanuka , two polar opposite musicians, who have no reason for any kind of connection what so ever, but for one reason, beyond math, but inside the laws of natural phenomenon here they do collide.  Whilst browising todays Googlekeyword search results for the term "Jansky Noise Ethnoshere" - we see see Michael in our results. Is it Jansky Noise bringing Michael closer to the ethnoshere, or Micheal Kiwanuka being submerged in the ethnosphere? It´s not for me to answer, all I can do is observe the la...

In the vast landscape of classic house music, one record that undeniably stands out is Joe Smooth's "Promised Land," released in 1987. With its infectious beats and uplifting melody, it's a timeless anthem that has left an indelible mark on dance music history. But could this iconic track have been influenced by The Gap Band's 1983 hit, "Someday"? Let's delve into the intriguing connections and inspirations that shape the evolution of music. A Glimpse into Joe Smooth's Influences In a recent interview with Muzikxpress, Joe Smooth shared insights into the creative process behind "Promised Land." He mentioned influences such as Stevie Wonder, whose musical genius is revered by many. Interestingly, Stevie Wonder also collaborated with The Gap Band on various occasions, underlining the interconnectedness of the music world. Motown's Spirit and The Gap Band Joe Smooth's interview revealed his deep appreciation for Motown and the desi...

It´s my Mothers birthday today. We shouldn't forget before the end of the day to have a wee deoch an doris before the end of the day. So, here is one for you mammy. X

The Bees’ “No Trophy” is a quirky tune that encapsulates the band's unique sound and eclectic approach to music. This track is all about groovy rhythms and offbeat charm, featuring a blend of laid-back guitar strums, vibrant brass, and soothing vocals that instantly put you in a good mood. The song starts with an inviting bass line that hooks you right in, followed by an array of rich, harmonic textures that showcase The Bees’ ability to mix and match musical styles with ease. The vocals are mellow yet expressive, carrying a relaxed vibe that’s perfect for a lazy afternoon or a laid-back evening. What really sets “No Trophy” apart is its ability to stay grounded in simplicity while exploring a tapestry of sounds—from the subtle percussion to the occasional burst of brass, each element is thoughtfully placed, creating a sound that’s both familiar and innovative. Overall, “No Trophy” by The Bees is a charmer of a track that’s easy to love and hard to forget. It’s the kind of song tha...

Oh, you have to love Paddy McAloon I do indeed, I have been trawling the Megahurtz for so long now.  Wonderful that this got remastered, and a chance to be heard, listen to and found again. If you go back on these very pages, go way back you will find - I Trawl the Megahertz (FULL ALBUM) — Paddy McAloon It´s quite an extraordinary work. I can never get enough of it.

Sometimes the future is hard to imagine, 20 years ago, this would have been impossible. Time has a wonderful way of moving the goal posts, and youth culture, keeps moving the building blocks, it´s not as far as this can go by any means, but it has got my attention.

Im really enjoying this piece right now at home The melody, and sustained didgeridoo playing slides around with an almost Tuvan throat singing, Mongolian throat harmony making the piece glide revitalising that circular breathing. More info about Adrian Freedman and this particular remix at : luamaria.bandcamp.com/track/aguilita The Lua Maria & Adrian Freedman "Aguilita" remix EP is a collection a 3 variations of the beautiful original version recreated to be enjoyed in a ways that can be enjoyed through dance. The remixers, Tikki Masala, Binder, and Aman each contribute their unique take on this incredibly beautiful and healing song by Lua Maria & Adrian Freedman Adrians Website : www.adrianfreedman.com 

I had to share this one. Love the way they gate and chop this baby.

A stack of great Jazz comes my way, with an extra bonus   Fortune, it's a funny thing. Yesterday July 22nd 2019, I made a moment to fly in on King Bee Records 519 Wilbraham Rd, Chorlton. Nothing special about this, I have been passing by this record store for the past 30 years.  This time was no different, except I managed to pick up a stack of Jazz LPs,  the likes of The Oscar Peterson Trio, Ella & Louis, Coleman Hawkins, Duke Ellington, Errol Garner, Joe Newman and his band, Billie Holiday, Fats Waller, Jimme Lunceford, Pee Wee Erwin, Art Tatum, yes, I know, that's a lot of names, I walked out of the record store with more than 20 vinyl LPs.   At the time of purchase I was not paying too much attention to the hand written names written on the back of many of the vinyl LP ́s I snaffled. At home I realised I have picked up a wedge of vinyl from one gentleman by the name of Derek Tiptons. So, a rather nice slice of Dereks colle...