Jansky Noise - Past Present & Future Star Music

Magnifico's "Ya Mustafa (Radio Mix)" is a vibrant and infectious fusion of musical genres that takes listeners on a journey through a colorful sonic landscape. This track effortlessly combines elements of Balkan folk music, electronic dance beats, and pop sensibilities, resulting in a highly enjoyable and danceable experience. From the very beginning, the song grabs your attention with its lively accordion melodies and energetic percussion. The use of traditional Balkan instruments adds an authentic and exotic flavour to the music, making it stand out from typical radio hits. As the song progresses, it seamlessly transitions into an uptempo dance groove, driven by pulsating rhythms and catchy synth hooks. Lyrically, "Ya Mustafa" exudes a sense of celebration and joy, inviting listeners to join in the festivities and let loose on the dancefloor. The chorus is particularly catchy and easy to sing along to, making it a potential earworm that you won't be able t

Akofa Akoussah's "I Tcho Tchass" is a captivating and soulful track that effortlessly weaves together elements of Afrobeat and funk, creating a musical experience that is both nostalgic and refreshingly contemporary. The song showcases Akoussah's incredible vocal prowess, with her rich, expressive voice serving as the centerpiece of the track. The instrumentation is nothing short of brilliant, featuring groovy basslines, rhythmic guitar strumming, and infectious percussion that instantly sets your feet tapping. "I Tcho Tchass" has a timeless quality to it, blending traditional African rhythms with modern production techniques to create a sound that is as relevant today as it was when it was first conceived. Lyrically, the song carries a message of empowerment and self-assuredness.  Akofa Akoussah's lyrics are delivered with a sense of confidence and conviction that is truly inspiring. The chorus, in particular, is catchy and easy to sing along to, making

Discovering MC Hellshit & DJ Carhouse's "Live!" album 25 years ago was like stepping into a musical maelstrom that forever altered my perception of experimental noise music.  Introduced to this Japanese Noise band by none other than Matt Wand from Stock Hausen and Walkman, I embarked on a sonic journey that left an indelible mark on my musical sensibilities. The "Live!" album is a relentless assault on the senses, a thrilling descent into auditory chaos that refuses to adhere to any conventional musical norms. From the very first track, it's abundantly clear that MC Hellshit & DJ Carhouse have crafted something truly offbeat. The performance exudes an unbridled energy that is as electrifying as it is sometimes bewildering. One of the defining characteristics of MC Hellshit & DJ Carhouse's live shows is their sheer, unapologetic chaos. The album perfectly captures the frenzied atmosphere that surrounds their performances, with cacophonous burs

Subculture's "The Voyage (Hayden Andre Deep Mix)" is a masterful example of deep house music that has left a lasting impact on the genre. Originally released in the early 1990s, this track remains a cherished gem among house music enthusiasts. "The Voyage" is characterised by its hypnotic rhythm and intricate layers of sound. Hayden Andre's Deep Mix takes the listener on a sonic journey, with a pulsating bass-line that anchors the track and a sophisticated arrangement of synths and percussion that create a glorious atmosphere. What truly sets this mix apart is its ability to evoke a sense of deep introspection and emotional connection on the dancefloor. The way it blends elements of house with a profound sense of groove and atmosphere is a testament to the creativity of the era's house music producers. This track is a classic in the world of deep house, showcasing the genre's ability to transport listeners to a different state of mind. Subculture'

Voices of East Harlem's "Wanted Dead or Alive" (Extended 12" Mix) from 1988 is a powerful and resonant track that combines elements of gospel, soul, and R&B, delivering a message that's as relevant today as it was in the late '80s. This extended version of the song allows it to fully develop, giving listeners an immersive experience of its soulful harmonies and stirring lyrics.  The vocals are nothing short of captivating, showcasing the immense talent and passion of Voices of East Harlem. The choir's harmonious blend adds depth and emotion to the song, making it a true standout. Lyrically, "Wanted Dead or Alive" carries a meaningful social message, addressing themes of equality and justice. It's a call for unity and change that remains poignant and impactful. The combination of these heartfelt lyrics with the infectious rhythm and groove of the track makes it a timeless classic. In 1988, Voices of East Harlem's "Wanted Dead or

The Magic of "Meeting Place (House From The World Club Mix) A Global Beat That Warms The Soul Stepping into the vibrant universe of "Meeting Place (House From The World Club Mix)" and back in time, is akin to entering the old boots of a house music sanctuary. Where every beat and piano sound echoes a multicultural embrace and every melody tells a story of togetherness. Now, when we think of house music, many will imagine the pulsating basslines of Chicago or the sleek grooves of Berlin. However, "Meeting Place" is no conventional house track. The very name suggests a harmonious junction of global influences, and oh boy, does it deliver. From the get-go, there's an exquisite interplay of piano with a heavy Italian feel—and boy does it build. HEY BOY- THE MUSIC WILL NEVER DIE! Their infusion brought to mind a sun-soaked gathering on a packed beach CLUB, CHICAGO, ROME.LONDON OOOH, the places are hailed and the globe of house music is celebrated. As we are inst

The "Whatcha Gonna Do With My Lovin' (Def Mix)" is an electrifying and transformative remix of the classic R&B and disco hit originally recorded by Stephanie Mills in 1979.  The Def Mix version, masterfully reworked by legendary remixers David Morales and Satoshi Tomiie, takes the timeless essence of the original and catapults it into the dynamic world of 1990s dance music. From the very first beat, the Def Mix of "Whatcha Gonna Do With My Lovin'" commands attention. The remix maintains the sultry and soulful vocal delivery of Stephanie Mills, who delivers a passionate performance that feels both timeless and contemporary. Her emotive singing is perfectly complemented by the remix's lush production and arrangement. One of the standout features of the Def Mix is its meticulous attention to detail. David Morales and Satoshi Tomiie skillfully utilise the technology and production techniques of the 1990s to enhance the song's sonic landscape. The rem

"Stars" by Mr. Fingers, the legendary alias of Larry Heard, is a mesmerising and soulful journey through the world of deep house music. Released in 1987, this iconic track remains an essential piece of the electronic music puzzle, marking a pivotal moment in the evolution of the genre. At its core, "Stars" is a sonic masterpiece characterised by its simplicity and emotional depth. Larry Heard, a true pioneer of deep house, crafts a mesmerising soundscape using a minimal palette of elements. The track opens with a hypnotic and ethereal synth melody that immediately sets the mood. It's a melody that seems to transcend time and space, evoking a sense of cosmic wonder and introspection. The heartbeat of "Stars" is its irresistibly groovy bassline and a meticulously programmed drum pattern. Heard's use of the Roland TR-909 drum machine is particularly notable, as he masterfully blends the machine's signature sounds to create a rhythm that's simu

Seduction's "Groove Me" (Dub Mix) from 1990 is a dancefloor anthem that embodies the essence of the late '80s and early '90s dance music scene. This track is a prime example of the era's freestyle and electronic dance sound, featuring infectious beats and seductive vocals. The Dub Mix of "Groove Me" focuses on the instrumental elements, emphasizing the pulsating rhythm, energetic synths, and catchy melodies that make it a standout in the genre. It's a testament to the power of electronic dance music to create an immersive and lively atmosphere on the dancefloor. While the lyrics take a backseat in this version, the track's energy and groove are front and center. Seduction's "Groove Me" (Dub Mix) captures the carefree and vibrant spirit of the early '90s club scene, making it a must-listen for fans of classic dance music. It's a timeless gem that continues to transport listeners to a bygone era of dancefloor euphoria.

Ralphie Rosario's "You Used To Hold Me (Kenny's Mix)" featuring Xavier Gold, released in 1987, is a seminal house record that's etched in dance music history. Kenny's Mix of this track is a hypnotic blend of Chicago and deep house, featuring Xavier Gold's soulful vocals. From the first notes, you're drawn into the infectious groove, with a driving bassline and mesmerizing synth elements. The lyrics add emotional depth, making it stand out in the house music landscape of its era. This record effortlessly combines nostalgia and euphoria, making it essential for both seasoned clubgoers and newcomers. Ralphie Rosario's "You Used To Hold Me" remains a timeless classic, showcasing the enduring power of house music in captivating and moving listeners even after more than three decades.

As someone very heavily exposed to the world of 90s house music, I can confidently say that the era was marked by a glorious fusion of soulful vocals, infectious grooves, and innovative sampling techniques. A vinyl gem that blasted it's way into our ear back in the day was Roberta Flack's "Uh-Uh Ooh Ooh Look Out." This track used sampling in a beautiful way, which opened a pathway into our minds. . The Essence of "Uh-Uh Ooh Ooh Look Out": Released in 1991, "Uh-Uh Ooh Ooh Look Out" is a vibrant and energetic house anthem that embodies the spirit of the era. At its core, the song features the soulful and sultry vocals of the legendary Roberta Flack, known for her timeless hits like "Killing Me Softly" and "Feel Like Makin' Love." With her vocal prowess, Flack effortlessly adds depth and emotion to the track, elevating it beyond the realm of standard dance music. But what truly sets this song apart is its ingenious use of sampl

"Soulsearcher's "Can't Get Enough" (Radio Edit)" is a timeless house music classic from the late 1990s. This track immediately grabs your attention with a catchy piano melody and soulful vocals.  The lyrics express an unending love for the dancefloor, making it relatable to anyone who loves to move to music. Its universal appeal lies in its ability to make you want to dance and sing along, creating a sense of communal euphoria. This track is a testament to the enduring power of house music to bring people together and brighten their spirits.

Gwen McCrae's "All This Love That I'm Giving" (12" Extended Mix) is a timeless soul and disco classic that has consistently set dancefloors on fire since its release. This track's rich history, including its memorable appearances in Manchester at some of David Haslam's legendary nights at the Boardwalk, showcases its enduring power to move and unite crowds. From the moment the music starts, Gwen McCrae's soulful and passionate vocals take center stage. The 12" Extended Mix of "All This Love That I'm Giving" allows the song to breathe, giving listeners an extended dose of its infectious groove. The blend of funky basslines, soaring strings, and McCrae's emotive singing creates an irresistible sonic experience. The track's lyrics, expressing a profound and unending love, resonate deeply with the audience, creating a sense of unity and euphoria on the dance floor. Its history as a crowd mover at David Haslam's nights at the

"D-Train's 'You're The One For Me' (A Paul Hardcastle Labour Of Love Mix)" is a dancefloor dynamo that's bound to get your feet moving. Paul Hardcastle, already a master producer with a knack for making basslines sing, joined forces with D-Train to create this irresistible remix.  When you put these two talents together, you know you're in for a banging dancefloor filler. This track is a testament to their collaboration and remains a timeless gem that'll have you grooving non-stop. Quite simply put this is a banger if your wanting to move your crowd and short of something classic, this is always a number that will make them old school punters shake it like a polaroid or anything else…..

Released in 1982, Rockers Revenge's "Walkin' On Sunshine" (Original 12 inch Version) remains an infectious slice of musical nostalgia that continues to light up dance floors even decades later. This record review is here to celebrate the enduring charm of this iconic track. From the moment the needle drops, you're transported back to the early '80s, a time when disco was evolving into something new, something infused with the spirit of the streets. The pulsating beats and electrifying synths set the stage for what's to come, promising a journey into pure dancefloor euphoria. The vocals, courtesy of Donnie Calvin, are a testament to the power of a soulful voice in a dance track. His impassioned delivery perfectly captures the essence of summer and good times, making you feel like you're "walkin' on sunshine" no matter the season. What truly sets this 12-inch version apart is its extended instrumental breaks, allowing DJs and dancers alike

Twilight 22's "Electric Kingdom" 12" Instrumental is a sonic time capsule that transports listeners to the heart of the 1980s electro-funk movement. Released during the golden era of electro music, this instrumental version of the iconic track encapsulates the essence of a bygone era while still managing to feel fresh and relevant today. The instrumental version of "Electric Kingdom" strips away the vocals and puts the mesmerizing electronic beats and synths at the forefront. What remains is a mesmerizing dancefloor anthem that effortlessly combines old-school charm with a futuristic edge. The crisp HD quality of this remastered version allows every nuance of the production to shine, making it a must-have for audiophiles and music enthusiasts alike. From the moment the track kicks off, you're immediately transported to a neon-lit dance club where robotic breakdancers groove to the rhythm of the drum machine. The infectious beat is driven by punchy kicks