Jansky Noise - Past Present & Future Star Music

First, it's worth noting that the name Alice has been a popular subject for musicians and songwriters. From rock to electronic, there are numerous songs with the title name of Alice. Some of the most notable ones are listed below, along with interesting facts about each one. There are many ways we can look at this, if it goes for my own personal taste then I wouldn't be keen on mentioning some of these, for example Alice" by Avril Lavigne - really does not do it for me, but it could well be included here. Anyway here are some songs you may or not know which could take us further into the rabbit hole. "Alice" by Smashing Pumpkins - This song is a B-side from the band's 1993 album, "Siamese Dream." It was later included in their compilation album, "Pisces Iscariot." "Alice" by Tom Waits - This eerie and haunting song appears on Waits' 2002 album, "Alice," which was inspired by Lewis Carroll's "Alice in Wonder

Brokli has officially arrived on the music scene with his electrifying debut EP, "Curls."  This sixtrack release is a cool mix of 80's new funk, spiritual groove, and chocolate coated electronic soul. From the moment you hit play on "Curls", you're transported down an electric avenue of fresh funky and loving energy.  With this EP, Brokli has successfully managed to notch into the world of new funk music, making it onto Playlist with BBC's Alice Dale, Right Said Fred as well as Manchester's Northern Funk DJ Myk Nolan. Featuring six standout tracks, "Curls" is a masterclass into new funk, disco, rock and psychedelics.   Each song is infused with Brokl's signature sound, which is a beautiful blend of spiritual, soul, electronic funk and harmony's all of which is crowned by his distinctive falsetto helping hit the high note. Right Said Fred quote - "Brokli has immense talent and is able to write some foot stompin catchy pop tunes,

Ladies and gentlemen, when it is time to get the giblet out! Then you know it's that time of year.  It's the time to get your groove on get down into the holiday season. What better way to shake your parsons than with The Jive Turkeys and their funky yuletide anthem, "Get Down Santa."  This isn't your ordinary Christmas tune; it's a full-blown funky celebration that'll have you shaking your hips and jingling those bells! From the moment the needle drops, you're transported to a retro-funk wonderland. The Jive Turkeys bring the funk like no other, infusing the spirit of the season with a dose of soulful swagger. With infectious rhythms, sizzling horns, and vocals that drip with coolness, "Get Down Santa" is a dancefloor masterpiece that'll make even old Saint Nick want to break out his disco moves. But it's not just about the groove; it's also about the message. "Get Down Santa" spreads the holiday cheer with a whole lot

A good old friend of mine is currently selling his old house, techno and dance records. This one came up which I had forgotten about. 

In the late '70s, as the disco fever swept across dance floors worldwide, soulful crooner Willie Hutch decided to throw his hat into the glittering ring with "Midnight Dancer" – an album that seamlessly marries his signature smooth soul vocals with the pulsating beats of disco. Released in 1979, this album marked a departure from Hutch's Motown roots, and it's safe to say that he made the transition with impeccable style. Soulful Charisma: "Midnight Dancer" opens with the titular track, and from the first note, it's clear that Hutch's soulful charisma is front and center. His rich, emotive voice, reminiscent of Marvin Gaye, finds new life in the world of disco, adding depth and authenticity to the genre. Groove-Inducing Disco Jams: Throughout the album, Hutch effortlessly navigates the disco landscape with tracks like "Party Down" and "Disco Thang." These songs are pure, unadulterated dancefloor bliss. The basslines are funky,

The Klondyke, is preparing for an intergalactic evening of steam roller psychedelics, fire blazing garage and cosmic funk!  On stage - The Fruit Tones, Sister Wives,  Well Yeah, and Brokli. When the music starts people will witness four groups of musicians providing backbone and might in this evening of entertainment. The Fruit Tones will launch this event with their high impact and energetic garage.   Now, are you ripe and ready to be roused? As these bands have amazing and though provoking musics, as well as stella moves and outfits. Well Yeah's - Caroline Faruloo is calibrated to inspire and lead us down a 60's and 70's Psychedelic , surf tropical path. After the surf, energy will glide towards the formidable Sister Wives who hail from Sheffield. They have an intense hypnotising sound, that whisks a windy tale of power, which can take  listeners on a trip reconnecting them to forefathers or ancient mythical spirits.   Finally the event will end with Manchester's v

Dive into the soulful depths of the late '70s with Milton Wright's "Keep It Up," a rare groove treasure that's guaranteed to elevate your music collection to new heights. From the very first notes, you're greeted by Wright's velvety-smooth vocals that exude a captivating blend of vulnerability and confidence. The instrumentation is a testament to the era's musical genius. With lush arrangements, groovy basslines, and velvety strings, "Keep It Up" is a masterclass in soulful sophistication. It effortlessly captures the essence of late '70s soul, transporting you to a bygone era where rhythm and groove ruled the airwaves. But what truly sets this track apart is its timeless quality. Despite being released over four decades ago, "Keep It Up" remains as fresh and relevant as ever. Its universal themes of love and perseverance resonate with listeners of all generations, making it a classic that stands the test of time. In the world o

We are dipping back into the realm of timeless classics, here with Jeff Majors' 1986 rendition of "Summertime".  A soulful escapade into the heart of sun coated nostalgia. Majors' mastery of the harp is evident from the first delicate pluck, and as his fingers dance across the strings, you're transported to a world where the sun kisses your skin and the air is filled with the promise of adventure.  Infusing serenity and grace here you will find something you know, encrypted into celestial melodies with lush arrangements and gentle percussion creates an atmosphere that's both soothing and invigorating. It's a musical embodiment of the lazy days and warm nights that define the summertime experience. Majors' harp weaves a narrative that tugs at the heartstrings, reminding us of the bittersweet beauty of summer's fleeting moments. Decades may have passed since its release, but Jeff Majors' "Summertime" remains a timeless testament to the

3,000,000 Synths is a solo album released by Chas Jankel, a British musician and songwriter known for his work with the band Ian Dury and the Blockheads. The album, released in 1982, was a departure from Jankel's previous work and featured an experimental sound that incorporated elements of electronic music, funk, and new wave. Jankel's was supposed to have had a crazy collection of over 50 synthesizers, drum machines, and other electronic instruments. He achieved the unique sound of the album, by often recording individual parts separately and then he would splice them together, sometimes using up to 16 tape machines at once! Another crazy fact about "3,000,000 Synths" is that the album's title is not an exaggeration - Jankel actually used over 3 million synths in the creation of the album. While this number may seem impossible, it is believed that Jankel was referring to the total number of synths used in the album's production, including all of the individu

In the vibrant tapestry of contemporary music, Yaya Bey is a name to watch, and her latest offering, 'meet me in brooklyn,' solidifies her status as an artist with an unmistakable voice and vision. From the very first notes, Bey's soulful vocals captivate, drawing you into a world where introspection meets groove. It's a sonic journey through the heart and soul of Brooklyn, filled with tales of love, longing, and the ever-changing cityscape. The production is a testament to Bey's artistry, seamlessly blending elements of R&B, neo-soul, and spoken word poetry. It's a sonic palette that's as diverse and dynamic as the borough she sings about, offering a glimpse into the eclectic cultural melting pot that is Brooklyn. Lyrically, 'meet me in brooklyn' is a poignant reflection on life, love, and self-discovery. Bey's poetic prowess shines through as she weaves intricate narratives that resonate long after the music fades. Her words are a mirror to

In an era dominated by the resurgence of vinyl records and the resurrection of the boom-bap beats that once ruled the streets, French producer Onra dropped a project in 2017 that transported us straight back to the heart of the 90s hip-hop and R&B golden age.  "New Year's In Guang Zhou" is a sonic time capsule that effortlessly captures the essence of an era defined by its soulful melodies, smooth grooves, and undeniable swagger. Riding the Waves of Nostalgia: From the moment the needle touches the vinyl, it's evident that Onra is on a mission to evoke nostalgia. The opening track, "The Anthem," sets the tone with its soulful vocal samples and a laid-back, head-nodding beat that would make even the most seasoned crate-digger nod in approval. It's as if the ghosts of J Dilla and Pete Rock are guiding Onra's fingers on the MPC. Global Influences and Musical Collage: What sets "New Year's In Guang Zhou" apart is its global sonic palett

In the vibrant tapestry of contemporary music, Yaya Bey is a name to watch, and her latest offering, 'meet me in brooklyn,' solidifies her status as an artist with an unmistakable voice and vision. From the very first notes, Bey's soulful vocals captivate, drawing you into a world where introspection meets groove. It's a sonic journey through the heart and soul of Brooklyn, filled with tales of love, longing, and the ever-changing cityscape. The production is a testament to Bey's artistry, seamlessly blending elements of R&B, neo-soul, and spoken word poetry. It's a sonic palette that's as diverse and dynamic as the borough she sings about, offering a glimpse into the eclectic cultural melting pot that is Brooklyn. Lyrically, 'meet me in brooklyn' is a poignant reflection on life, love, and self-discovery. Bey's poetic prowess shines through as she weaves intricate narratives that resonate long after the music fades. Her words are a mirror to

As a child growing up in the 90s, I vividly remember the impact that the Tennent's Lager TV commercial had on me. It was a time when TV advertising held a unique power to captivate audiences, and one such advert that left an indelible mark on my memory was the Tennent's "You Have Got the Power" campaign. The song "Win Win Win" was the centrepiece of this iconic commercial. Performed by a mysterious group known as "You Have Got the Power," the track had a catchy melody and a message of empowerment that resonated with many. It was an era when jingles had the ability to lodge themselves in your brain for a lifetime, and "Win Win Win" certainly did just that. The McEwans advert itself was a visual spectacle. It featured a group of charismatic individuals overcoming various challenges and obstacles with sheer determination and self-belief. The tagline, "You Have Got the Power," served as a powerful mantra, encouraging viewers to tak

I mean this has to be the soundtrack to raising a thousand dead Samurai Warrior from the ground and giving them life again. This is just epic. 

Eddie Henderson, the jazz maestro renowned for his groundbreaking fusion of styles, has once again graced our ears with his latest sonic creation, "Mars in Libra." In this track, Henderson invites us to embark on a mesmerizing journey through the cosmos, where the boundaries of time and space seem to blur, and the listener is left in a state of sublime musical transcendence. Mars in Libra immerses you in a world of beauty. The hauntingly smooth trumpet lines that Henderson is celebrated and on full display, weaving intricate melodies that traverse the soundscape. Each note is like a star, twinkling and guiding us deeper into the astral realm of sound. Henderson's easily glides effortlessly melting to blend traditional jazz elements with cosmic and electronic textures. The rhythm section grooves with an otherworldly precision, grounding the listener even as the music propels us toward the farthest reaches of the universe. What truly sets "Mars in Libra" apart is

Smokey Robinson's "Being With You" album, with its star-studded lineup of A-list duet partners, is a delightful journey through the Motown icon's timeless classics. Released on Tuesday by Verve Records, this record brings together Robinson and a diverse range of stars, including Elton John, John Legend, Steven Tyler, and CeeLo Green, to breathe new life into decades-old, Detroit-born compositions like "My Girl" and "The Tracks of My Tears." This Randy Jackson-produced masterpiece serves as a spirited testament to the remarkable body of songwriting that not only put Motown on the map but also earned Robinson a well-deserved place in the Rock and Roll Hall of Fame. It has all the makings of becoming Robinson's most successful album since 1987's "One Heartbeat." Smokey & Friends revisits some of the most prolific moments in Robinson's career, spanning from the 1962 Miracles hit "You Really Got a Hold on Me" (featuri

From time to time, I find myself, amidst the euphoria of Prince's iconic performance of 'Purple Rain', and doused in rain. A bit like the seasons, this song always comes around. This is not just a performance; it was an experience, an emotion. With every strum of his guitar, Prince captured the zeitgeist of an entire generation and still continues to inspire. The set was electric, the atmosphere almost tangible, charged with the unspoken anticipation of witnessing something legendary. As the first notes of 'Purple Rain' trickled from his guitar, the crowd, already entranced, fell into a shared reverie. The air, thick with emotion, seemed to shimmer with an otherworldly glow. In The guitar solo dances with divine intervention. Prince plays with an intensity that blurred the line between performer and instrument. Each note seemed to weep, scream, and then softly whisper, sending waves of pure emotion through the crowd. Reflecting on this live rendition of 'Purple