Jansky Noise - Past Present & Future Star Music

3,000,000 Synths is a solo album released by Chas Jankel, a British musician and songwriter known for his work with the band Ian Dury and the Blockheads. The album, released in 1982, was a departure from Jankel's previous work and featured an experimental sound that incorporated elements of electronic music, funk, and new wave. Jankel's was supposed to have had a crazy collection of over 50 synthesizers, drum machines, and other electronic instruments. He achieved the unique sound of the album, by often recording individual parts separately and then he would splice them together, sometimes using up to 16 tape machines at once! Another crazy fact about "3,000,000 Synths" is that the album's title is not an exaggeration - Jankel actually used over 3 million synths in the creation of the album. While this number may seem impossible, it is believed that Jankel was referring to the total number of synths used in the album's production, including all of the individu

In the vibrant tapestry of contemporary music, Yaya Bey is a name to watch, and her latest offering, 'meet me in brooklyn,' solidifies her status as an artist with an unmistakable voice and vision. From the very first notes, Bey's soulful vocals captivate, drawing you into a world where introspection meets groove. It's a sonic journey through the heart and soul of Brooklyn, filled with tales of love, longing, and the ever-changing cityscape. The production is a testament to Bey's artistry, seamlessly blending elements of R&B, neo-soul, and spoken word poetry. It's a sonic palette that's as diverse and dynamic as the borough she sings about, offering a glimpse into the eclectic cultural melting pot that is Brooklyn. Lyrically, 'meet me in brooklyn' is a poignant reflection on life, love, and self-discovery. Bey's poetic prowess shines through as she weaves intricate narratives that resonate long after the music fades. Her words are a mirror to

In an era dominated by the resurgence of vinyl records and the resurrection of the boom-bap beats that once ruled the streets, French producer Onra dropped a project in 2017 that transported us straight back to the heart of the 90s hip-hop and R&B golden age.  "New Year's In Guang Zhou" is a sonic time capsule that effortlessly captures the essence of an era defined by its soulful melodies, smooth grooves, and undeniable swagger. Riding the Waves of Nostalgia: From the moment the needle touches the vinyl, it's evident that Onra is on a mission to evoke nostalgia. The opening track, "The Anthem," sets the tone with its soulful vocal samples and a laid-back, head-nodding beat that would make even the most seasoned crate-digger nod in approval. It's as if the ghosts of J Dilla and Pete Rock are guiding Onra's fingers on the MPC. Global Influences and Musical Collage: What sets "New Year's In Guang Zhou" apart is its global sonic palett

In the vibrant tapestry of contemporary music, Yaya Bey is a name to watch, and her latest offering, 'meet me in brooklyn,' solidifies her status as an artist with an unmistakable voice and vision. From the very first notes, Bey's soulful vocals captivate, drawing you into a world where introspection meets groove. It's a sonic journey through the heart and soul of Brooklyn, filled with tales of love, longing, and the ever-changing cityscape. The production is a testament to Bey's artistry, seamlessly blending elements of R&B, neo-soul, and spoken word poetry. It's a sonic palette that's as diverse and dynamic as the borough she sings about, offering a glimpse into the eclectic cultural melting pot that is Brooklyn. Lyrically, 'meet me in brooklyn' is a poignant reflection on life, love, and self-discovery. Bey's poetic prowess shines through as she weaves intricate narratives that resonate long after the music fades. Her words are a mirror to

As a child growing up in the 90s, I vividly remember the impact that the Tennent's Lager TV commercial had on me. It was a time when TV advertising held a unique power to captivate audiences, and one such advert that left an indelible mark on my memory was the Tennent's "You Have Got the Power" campaign. The song "Win Win Win" was the centrepiece of this iconic commercial. Performed by a mysterious group known as "You Have Got the Power," the track had a catchy melody and a message of empowerment that resonated with many. It was an era when jingles had the ability to lodge themselves in your brain for a lifetime, and "Win Win Win" certainly did just that. The McEwans advert itself was a visual spectacle. It featured a group of charismatic individuals overcoming various challenges and obstacles with sheer determination and self-belief. The tagline, "You Have Got the Power," served as a powerful mantra, encouraging viewers to tak

I mean this has to be the soundtrack to raising a thousand dead Samurai Warrior from the ground and giving them life again. This is just epic. 

Eddie Henderson, the jazz maestro renowned for his groundbreaking fusion of styles, has once again graced our ears with his latest sonic creation, "Mars in Libra." In this track, Henderson invites us to embark on a mesmerizing journey through the cosmos, where the boundaries of time and space seem to blur, and the listener is left in a state of sublime musical transcendence. Mars in Libra immerses you in a world of beauty. The hauntingly smooth trumpet lines that Henderson is celebrated and on full display, weaving intricate melodies that traverse the soundscape. Each note is like a star, twinkling and guiding us deeper into the astral realm of sound. Henderson's easily glides effortlessly melting to blend traditional jazz elements with cosmic and electronic textures. The rhythm section grooves with an otherworldly precision, grounding the listener even as the music propels us toward the farthest reaches of the universe. What truly sets "Mars in Libra" apart is

Smokey Robinson's "Being With You" album, with its star-studded lineup of A-list duet partners, is a delightful journey through the Motown icon's timeless classics. Released on Tuesday by Verve Records, this record brings together Robinson and a diverse range of stars, including Elton John, John Legend, Steven Tyler, and CeeLo Green, to breathe new life into decades-old, Detroit-born compositions like "My Girl" and "The Tracks of My Tears." This Randy Jackson-produced masterpiece serves as a spirited testament to the remarkable body of songwriting that not only put Motown on the map but also earned Robinson a well-deserved place in the Rock and Roll Hall of Fame. It has all the makings of becoming Robinson's most successful album since 1987's "One Heartbeat." Smokey & Friends revisits some of the most prolific moments in Robinson's career, spanning from the 1962 Miracles hit "You Really Got a Hold on Me" (featuri

From time to time, I find myself, amidst the euphoria of Prince's iconic performance of 'Purple Rain', and doused in rain. A bit like the seasons, this song always comes around. This is not just a performance; it was an experience, an emotion. With every strum of his guitar, Prince captured the zeitgeist of an entire generation and still continues to inspire. The set was electric, the atmosphere almost tangible, charged with the unspoken anticipation of witnessing something legendary. As the first notes of 'Purple Rain' trickled from his guitar, the crowd, already entranced, fell into a shared reverie. The air, thick with emotion, seemed to shimmer with an otherworldly glow. In The guitar solo dances with divine intervention. Prince plays with an intensity that blurred the line between performer and instrument. Each note seemed to weep, scream, and then softly whisper, sending waves of pure emotion through the crowd. Reflecting on this live rendition of 'Purple

If you're in the market for a sonic time machine that transports you straight to the heart of disco's heyday, look no further than Lamont Dozier's "Going Back To My Roots."  This track is a retro-fueled rocket ride that catapults you into the dancefloor-driven euphoria of the late '70s. When we were growing up we were subjected to different inteprations of this song one of the big of the day versions for someone in the UK and of my age was of course the FBI project - Going Back to my Roots.  Dozier's version, is something else. The vocals are an undeniable force of nature, commanding attention. But it's the groove that truly steals the show here. The infectious bassline, the funky guitar riffs, and the relentless percussion converge into a dancefloor masterpiece that's impossible to resist. "Going Back To My Roots" is the sonic equivalent of a disco inferno that ignites every dance party it graces. In a world of ever-changing musical tren

Released in 1984, "808 Beats" by The Unknown D.J. is a seminal track that stands as a testament to the early days of hip-hop and electronic music. This groundbreaking record, featuring the iconic Roland TR-808 drum machine, is a true classic that continues to captivate and inspire music enthusiasts and producers alike. "808 Beats" is a minimalist banger that revolves around the beast which is the epic Roland TR-808. The track's foundation is built upon the relentless, thunderous beats generated by this legendary drum machine. What sets "808 Beats" apart is its ability to convey a sense of urban grit and futuristic innovation simultaneously. The relentless 808 drum patterns are complemented by a sparse but effective use of synthesizers and vocal samples, creating an atmosphere that feels both nostalgic and avant-garde. The vocal sample, repeating "808 Beats" throughout the track, adds an infectious and mantra-like quality, making it impossible

Released in 1982, "Dirty Talk" by Klein & MBO remains an iconic track that epitomizes the essence of early electronic dance music. Hailing from Italy, this pioneering duo, made up of Tony Carrasco and Mario Boncaldo, managed to create a track that has stood the test of time and continues to be a staple in the world of dance music. "Dirty Talk" is a song that effortlessly encapsulates the spirit of the early 1980s electronic and disco scene. The track is driven by a thumping bassline that's impossible not to groove to. It's accompanied by a simple yet infectious melody, composed of synth stabs and a catchy vocal refrain that repeats the phrase "dirty talk." The repetitive nature of the lyrics, combined with the hypnotic beat, creates an almost trance-like experience for the listener, drawing them into the music's hypnotic rhythm. One of the standout elements of "Dirty Talk" is the impeccable production quality. It's a testament

Magnifico's "Ya Mustafa (Radio Mix)" is a vibrant and infectious fusion of musical genres that takes listeners on a journey through a colorful sonic landscape. This track effortlessly combines elements of Balkan folk music, electronic dance beats, and pop sensibilities, resulting in a highly enjoyable and danceable experience. From the very beginning, the song grabs your attention with its lively accordion melodies and energetic percussion. The use of traditional Balkan instruments adds an authentic and exotic flavour to the music, making it stand out from typical radio hits. As the song progresses, it seamlessly transitions into an uptempo dance groove, driven by pulsating rhythms and catchy synth hooks. Lyrically, "Ya Mustafa" exudes a sense of celebration and joy, inviting listeners to join in the festivities and let loose on the dancefloor. The chorus is particularly catchy and easy to sing along to, making it a potential earworm that you won't be able t

Akofa Akoussah's "I Tcho Tchass" is a captivating and soulful track that effortlessly weaves together elements of Afrobeat and funk, creating a musical experience that is both nostalgic and refreshingly contemporary. The song showcases Akoussah's incredible vocal prowess, with her rich, expressive voice serving as the centerpiece of the track. The instrumentation is nothing short of brilliant, featuring groovy basslines, rhythmic guitar strumming, and infectious percussion that instantly sets your feet tapping. "I Tcho Tchass" has a timeless quality to it, blending traditional African rhythms with modern production techniques to create a sound that is as relevant today as it was when it was first conceived. Lyrically, the song carries a message of empowerment and self-assuredness.  Akofa Akoussah's lyrics are delivered with a sense of confidence and conviction that is truly inspiring. The chorus, in particular, is catchy and easy to sing along to, making

Discovering MC Hellshit & DJ Carhouse's "Live!" album 25 years ago was like stepping into a musical maelstrom that forever altered my perception of experimental noise music.  Introduced to this Japanese Noise band by none other than Matt Wand from Stock Hausen and Walkman, I embarked on a sonic journey that left an indelible mark on my musical sensibilities. The "Live!" album is a relentless assault on the senses, a thrilling descent into auditory chaos that refuses to adhere to any conventional musical norms. From the very first track, it's abundantly clear that MC Hellshit & DJ Carhouse have crafted something truly offbeat. The performance exudes an unbridled energy that is as electrifying as it is sometimes bewildering. One of the defining characteristics of MC Hellshit & DJ Carhouse's live shows is their sheer, unapologetic chaos. The album perfectly captures the frenzied atmosphere that surrounds their performances, with cacophonous burs

Subculture's "The Voyage (Hayden Andre Deep Mix)" is a masterful example of deep house music that has left a lasting impact on the genre. Originally released in the early 1990s, this track remains a cherished gem among house music enthusiasts. "The Voyage" is characterised by its hypnotic rhythm and intricate layers of sound. Hayden Andre's Deep Mix takes the listener on a sonic journey, with a pulsating bass-line that anchors the track and a sophisticated arrangement of synths and percussion that create a glorious atmosphere. What truly sets this mix apart is its ability to evoke a sense of deep introspection and emotional connection on the dancefloor. The way it blends elements of house with a profound sense of groove and atmosphere is a testament to the creativity of the era's house music producers. This track is a classic in the world of deep house, showcasing the genre's ability to transport listeners to a different state of mind. Subculture'

Voices of East Harlem's "Wanted Dead or Alive" (Extended 12" Mix) from 1988 is a powerful and resonant track that combines elements of gospel, soul, and R&B, delivering a message that's as relevant today as it was in the late '80s. This extended version of the song allows it to fully develop, giving listeners an immersive experience of its soulful harmonies and stirring lyrics.  The vocals are nothing short of captivating, showcasing the immense talent and passion of Voices of East Harlem. The choir's harmonious blend adds depth and emotion to the song, making it a true standout. Lyrically, "Wanted Dead or Alive" carries a meaningful social message, addressing themes of equality and justice. It's a call for unity and change that remains poignant and impactful. The combination of these heartfelt lyrics with the infectious rhythm and groove of the track makes it a timeless classic. In 1988, Voices of East Harlem's "Wanted Dead or

The Magic of "Meeting Place (House From The World Club Mix) A Global Beat That Warms The Soul Stepping into the vibrant universe of "Meeting Place (House From The World Club Mix)" and back in time, is akin to entering the old boots of a house music sanctuary. Where every beat and piano sound echoes a multicultural embrace and every melody tells a story of togetherness. Now, when we think of house music, many will imagine the pulsating basslines of Chicago or the sleek grooves of Berlin. However, "Meeting Place" is no conventional house track. The very name suggests a harmonious junction of global influences, and oh boy, does it deliver. From the get-go, there's an exquisite interplay of piano with a heavy Italian feel—and boy does it build. HEY BOY- THE MUSIC WILL NEVER DIE! Their infusion brought to mind a sun-soaked gathering on a packed beach CLUB, CHICAGO, ROME.LONDON OOOH, the places are hailed and the globe of house music is celebrated. As we are inst

The "Whatcha Gonna Do With My Lovin' (Def Mix)" is an electrifying and transformative remix of the classic R&B and disco hit originally recorded by Stephanie Mills in 1979.  The Def Mix version, masterfully reworked by legendary remixers David Morales and Satoshi Tomiie, takes the timeless essence of the original and catapults it into the dynamic world of 1990s dance music. From the very first beat, the Def Mix of "Whatcha Gonna Do With My Lovin'" commands attention. The remix maintains the sultry and soulful vocal delivery of Stephanie Mills, who delivers a passionate performance that feels both timeless and contemporary. Her emotive singing is perfectly complemented by the remix's lush production and arrangement. One of the standout features of the Def Mix is its meticulous attention to detail. David Morales and Satoshi Tomiie skillfully utilise the technology and production techniques of the 1990s to enhance the song's sonic landscape. The rem

"Stars" by Mr. Fingers, the legendary alias of Larry Heard, is a mesmerising and soulful journey through the world of deep house music. Released in 1987, this iconic track remains an essential piece of the electronic music puzzle, marking a pivotal moment in the evolution of the genre. At its core, "Stars" is a sonic masterpiece characterised by its simplicity and emotional depth. Larry Heard, a true pioneer of deep house, crafts a mesmerising soundscape using a minimal palette of elements. The track opens with a hypnotic and ethereal synth melody that immediately sets the mood. It's a melody that seems to transcend time and space, evoking a sense of cosmic wonder and introspection. The heartbeat of "Stars" is its irresistibly groovy bassline and a meticulously programmed drum pattern. Heard's use of the Roland TR-909 drum machine is particularly notable, as he masterfully blends the machine's signature sounds to create a rhythm that's simu